Speaking with Denise Marsa about Her Newest Single “Sanctuary” and Interacting with Listeners

Speaking with Denise Marsa about Her Newest Single “Sanctuary” and Interacting with Listeners

Denise Marsa

Alt-indie pop singer-songwriter Denise Marsa not too long ago launched her single/music video, “Sanctuary,” a contemporary feminist pop-rock ballad narrating the story of an overbearing lover, attempting to take greater than they offer, anticipating Marsa to be their sanctuary.

Born in Trenton, NJ, Marsa taught herself to play piano, guitar, and drums and started writing songs earlier than beginning faculty. Transferring from New York to London after her research, she landed her first huge break singing for Dean Friedman on his hit “Fortunate Stars”—leading to a platinum disc, a British nationwide tour, and dwell TV appearances.

Marsa relocated to Los Angeles to begin her personal report label and manufacturing home, permitting her to keep up inventive freedom. She’s carried out in elite venues worldwide sharing the stage with The Ramones, The Speaking Heads, and Blondie.

Guitar Woman Journal spoke with Denise Marsa to find how she received began in music, her definition of tone, and her vocal recording strategies.

What impressed your new single/music video “Sanctuary?”

The ultimate launch of a relationship. It’s about somebody not respecting my boundaries, not appreciating their place in my life, and performing out of integrity. Not being sincere and being tough to speak with after which saying sorry and anticipating the whole lot to be all proper. It was about somebody going by their very own rising pains and studying learn how to cope, and I needed to allow them to go, so they may determine it out. Because the lyric says, “I’ll at all times love you, anyway.” An excessive amount of of the identical conduct, and my boundaries caved in; I’d had sufficient.

How did you get began in music? 

I’ve been singing since I used to be a younger woman. I used to be naturally musical; I might choose up an instrument and play. I’d determine it out. Piano, drums, guitar – I simply had music in me from an early age. I additionally took ballet courses and danced in recitals from age 4-9, so I used to be attuned to music and the physique. I sang in choir in junior highschool and had my very own rock band in highschool so whereas in faculty I began placing the devices and the voice collectively. I simply started writing songs. I didn’t wish to be taught different songs per se, I simply created my very own. I began jamming at events and within the dorm on an acoustic guitar one other scholar had, and folks have been like what tune is that and I’d say, “I simply made it up”, and they’d begin singing alongside and it simply felt like that was my calling – writing, singing, and getting others to sing. It’s my vitality to carry others. It’s how I greatest specific myself by serving to others specific themselves. Ha, a Pisces for certain. I’ve began saying not too long ago, “Music expresses what phrases can’t.”

The place are you from?

I used to be born in Trenton, the capital of New Jersey, and should give a shout-out to Tucson, Arizona, I grew up there as effectively. From 10-14, my household moved to Tucson and people have been some soul-evaluating years. In fact, I had no concept how issues have been shifting in me and round me; for some motive, I had discovered freedom with the climate at all times being heat and sunny. I might put on shorts and a T-shirt and simply run round – journey my bike, play, and swim. My pursuits went from music and leisure to sports activities; I used to be at all times open air. I used to be aggressive in sports activities, nevertheless – humorous sufficient – not with music. I really like swimming and we had a pool within the yard, so it took my mother or dad typically 5 or 6 occasions telling (yelling) at me that dinner was prepared and to get out of the pool earlier than I received out of the pool. 

Did your hometown influence your sound?

I’d must say the closest sound to me in Trenton was the Philadelphia sound. I really like soulful singers. From Laura Nyro to Ella Fitzgerald to Karen Carpenter, to Kate Bush, and, early on, Gino Vanelli. I had an older boyfriend who liked him, and we listened to him on a regular basis. I’m simply the conduit. I by no means studied music, and I’ve these songs simply popping out of me at any given second. I dive into my voice and my voice simply explodes and I lose myself within the music and the phrases which might be coming into my head as my fingers fumble on the keyboards or guitar strings.

What’s your definition of tone? And is your tone evolving?

Fascinating query. Do you imply vocally or tune or devices? In all circumstances, the tune dictates the tone. It’s concerning the half and the way it’s being performed and the way the tone matches in with the monitor. I at all times produce the monitor based on the tune. I sometimes create the vibe whereas writing the tune as I demo it. I might want an acoustic or clear sound, or typically distorted, however by no means too distorted that it now not sounds musical. I like to listen to all of the notes in a chord and really feel the progressions as they transfer all through the tune. I play keyboards on lots of my tracks and use sampled sounds for the guitars and bass till we take the monitor to the subsequent degree. Often, the unique monitor(s) stays on the recording, because it did with ‘Sanctuary.’ The tone of any instrument is dictated by the tune, melody, and rhythms. I at all times add rhythm sections to my demos, once more sampled drums and percussion, to provide concepts to my collaborators. They take it from there. And sure, my tone in all areas is at all times evolving. I do know what I wish to hear from my voice and the devices after we are producing a tune, working until we arrive at what I think about the ultimate ‘combine.’

Are there sure recording strategies you like within the studio?

Sure, as dwell as attainable, and first takes. I don’t like laboring over recording music. I like being extra impulsive and spontaneous, extra like how I write. Not loopy about piecemealing my vocals. I began recording my very own vocals after my second album, ‘Stay Ceaselessly.’ I often get a full tackle the third or fourth take. I’ll seize a phrase or two from one other take; nevertheless, I sing, I hear after which I do know the place the tune must go vocally. There are occasions Janosch Roth – a collaborator in Germany, who owns Lautstumm Studios and is a profitable dwell engineer – will comp a vocal for me, nevertheless, I prefer to ship what I think about my remaining vocal take that I’ve both comped or achieved all through after which ship him just a few takes in case he hears one thing I’m not and replaces a phrase or part. Earlier this 12 months I recorded vocals for my subsequent album ‘Pivotal’ in LA at my publishers’ BMG US studio. It was nice having an engineer once more! I additionally recorded just a few tracks just a few weeks in the past in West Hollywood at a neighbor’s home. He has an important microphone, a Sennheiser e935 cardioid dynamic that I actually love. I had a brand-new tune (‘Dry Spell’); he advised me to return on down, and I nailed the vocals on the primary take. 

How do you retain your sound constant onstage?

I’ve not carried out dwell as a lot as I might have. I had intervals of time once I had a band, in LA within the mid-90s (Denise Marsa & The Mom Band) and once I first began my solo profession in NYC, within the late ‘70s. I’ve had such a winding street profession, uphill, downhill, and sideways, with varied ‘offers’ alongside the way in which, with personnel that signed me leaving the corporate, and after being requested just a few occasions why I used to be no more well-known, after dwell performances, I developed a present ‘THE PASS,’ to elucidate it. ‘THE PASS’ options songs and tales about my profession over the many years, encapsulated in an hour-and-a-half dwell expertise. I’m performing the present over the subsequent few years on a extra common foundation. We premiered the present in London in 2018, with simply me and musician/pianist Tracy Stark taking part in piano and singing some back-ups. I wish to develop the music extra, what we current, occupied with it now how I need the present to look and sound in 2024. I wish to play dwell extra, to make up for misplaced time on stage and play for dwell audiences. Music is a tremendous approach to join with folks.

What conjures up your writing? Do you draw inspiration from poems, music, or different media?

All of it, wherever, anytime. Dialog, films, too.

What are you able to share about your writing course of?

I answered this above. Uncooked, energetic, euphoric, inner, they simply explode or seep out, at all times like a phoenix, taking me over, at my keyboard, with no idea of time, till the tune is full, concerning its intention. Then the manufacturing concepts come into play, with the aim to assist convey additional its intention. Methods to maneuver or contact the listener, to hopefully encourage them to do what they want to do. A distant pal.

What can your followers sit up for over the subsequent six months? Music movies? Stay gigs?

Implausible query and it leads me to a giant confession. I have no idea who my followers are. I’m working now on discovering out who my followers are. It’s been an extended courtship and I wish to know them higher. I’d love to listen to extra from them on social media, particularly YouTube, and listen to about how my music works for them and what they need extra of! Or from me? As I run my very own indie label, KeyMedia Group, we’ve not too long ago been selling singles from my again catalog. We’re planning to launch a brand new album ‘Pivotal,’ in 2024. We could also be beginning off with a teaser monitor and video popping out in November this 12 months, ‘Kiss Me in The Rain’ (Remix). The music video is an element three of the music movies that includes The Cowgirl & The Alien animated characters first launched in our ‘Float’ and ‘Float’ (Remix) music movies. So far as exhibits, I hope to have extra interactions with followers as we’re placing ‘THE PASS’ on the street. For the time being, we’re ready to listen to about just a few exhibits being booked in Sweden. A former dwell sound engineer from my LA days – Carlos Barth, who’s now a profitable supervisor within the Scandinavian territory, desires to convey the present over. Want us luck! Thanks for chatting with me! I deeply admire your help!

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