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In this era of AI slop, the idea that generative AI tools like Midjourney...

At Moonshot by TechCabal on Thursday, the hosts of the hugely popular podcast, I Said What I Said (ISWIS), FK Abudu and Jola Ayeye, dismantled the myth of oversight success. In a session titled “Building Momentum: Lessons from ISWIS,” they argued that genuine momentum is not built through viral stunts but through a relentless focus

Talent isn’t the problem of Africa’s creative industry; its growth is still being held back by weak infrastructure, limited funding, and fragmented support systems. That was the message from industry leaders at Moonshot by TechCabal on Thursday, who said new investment vehicles and creative hubs are critical to unlock the continent’s cultural and creative industries.

The story of the growth of payment solutions in Africa is increasingly being tied to how fast money can move across borders. Despite a digital boom, just 15% of Africa’s trade happens within the continent compared to over 60% in Europe and 50% in Asia. That gap in cross-border payments, Tolulope Adeyinka, Mastercard’s director of

Africa’s digital economy is worth more than $180 billion, yet moving money across the continent remains one of its biggest friction points. Payments across the continent is fragmented as each country has its own currencies, licensing requirements, mobile money systems, and regulators. Flutterwave’s playbook on cross-border payments, presented at Moonshot by Flutterwave’s Assistant Vice President

At the 2025 Moonshot by TechCabal conference, Emmanuel Sohe, CEO of Cardtonic, shared a story that perfectly captured the session’s theme of resilience in Africa’s fintech ecosystem. His narrative wasn’t about theory or frameworks. It was about survival, belief, and building against the odds. “Our story is one of resilience and surviving in these times,”

The African film industry is fundamentally shifting its economic power structure, as filmmakers are being urged to move past traditional, dependency-laden distribution channels and embrace digital direct-to-consumer strategies that prioritise innovation, seamless user experience, and pan-African market capture.  “Apart from YouTube, film is not really a business-to-consumer business. It is a producer-to-distributor model that often

Africa’s path to taking centre stage in global trade isn’t about having more, it’s about doing more with what we already have. That was the key message from the panel moderated by Kosisochukwu Ugwuede at Moonshot by TechCabal. Both Oluwafunto Olasemo, Chief Operating Officer at AFEX, and Anu Adedoyin Adasolum, CEO of Sabi, agreed that

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