The Met Gala 2025, formally referred to as the Costume Institute Profit, returned with a robust tribute to Black dandyism below the theme Superfine: Tailoring Black Model. Held yearly at New York’s Metropolitan Museum of Artwork, the occasion merges style and storytelling whereas elevating funds for the museum’s Costume Institute. This 12 months’s showcase spotlighted the magnificence, historical past, and cultural impression of Black fashion in each historic and fashionable style contexts.
What the ‘Superfine’ theme meant
This 12 months’s theme, Superfine: Tailoring Black Model, paid tribute to Black dandyism, a cultural motion through which Black people have used tailor-made style to specific pleasure, defy stereotypes, and assert id. Impressed by Monica L. Miller’s e-book Slaves to Style, the exhibition spotlighted how Black communities have formed style by way of magnificence, creativity, and daring innovation.
African stars lighting up the Met Gala 2025 pink carpet
South African actress and humanitarian Nomzamo Mbatha attended as a red-carpet correspondent for African Style Worldwide (AFI). Her presence supplied a proud African perspective on this international stage.
Singer Tyla, styled by Legislation Roach, wore a bespoke Jacquemus design. The look, with its construction and aptitude, captured the spirit of the theme.
Nigerian artist Tems collaborated with British-Ghanaian designer Ozwald Boateng. She wore a dramatic peacock-blue robe with pinstripe sleeves and a big bow, mixing conventional tailoring with fashionable femininity, embodying the Black dandyism theme.
In the meantime, South Sudanese-Australian supermodel Adut Akech wore a customized Christian Dior robe. Her look featured a sculptural feather collar adorned with Swarovski crystals. Styled by @highheelprncess, she embodied African excellence in high fashion.
Extra than simply style, it was a celebration of Black id
Anna Wintour hosted the 2025 Met Gala alongside co-chairs Colman Domingo, Lewis Hamilton, ASAP Rocky, and Pharrell Williams. Collectively, they introduced a present that was each fashionable and deeply significant.
Tailor-made items, daring prints, and Harlem Renaissance-inspired silhouettes took centre stage. These appears reminded the world that Black fashion will not be solely about aesthetics. It’s rooted in heritage, resistance, and the long run. Ultimately, Superfine wasn’t only a theme. It was a robust assertion: Black style is central, not secondary, to international fashion.