The dense forest of the Osun Sacred Grove is likely one of the few remaining historic websites in southern Nigeria.
Via the forest meanders the river Osun, the religious abode of the river goddess Osun. Inside the forest, sanctuary are forty shrines, sculptures and artworks erected in honour of Osun and different Yoruba deities per UNESCO. The Grove is an lively non secular web site the place each day, weekly and month-to-month worship happens.
The Grove can also be a pure natural pharmacy containing over 400 species of vegetation, some endemic, of which greater than 200 species are recognized for his or her medicinal makes use of.
Through the years, the Grove has been affected by flood and local weather change, threatening its existence.
Not too long ago, Google Arts & Culture in partnership with The Adunni Olorisha Belief and CyArk introduced the launch of the primary and largest digital library of content material showcasing the Osun Osogbo Sacred Grove.
The launch additionally marks the digital preservation of considered one of Nigeria’s final remaining sacred groves, being a part of Google Arts and Tradition’s wider Heritage on the Edge undertaking. The undertaking helps web site managers in digitally documenting heritage websites in danger as a consequence of local weather change, utilizing the imagery captured to help neighborhood upkeep and conservation additional.
The highlights of the Osun Osogbo Sacred Grove undertaking which may be explored online embrace a Road View of the Osun Osogbo Sacred Grove, together with the Busanyin Shrine earlier than it was affected by the flood and 3D fashions of 4 of the location’s dynamic shrines. The gathering permits folks to view 900 high-resolution pictures of the location, up to date and historic artworks and sculptures, artists and religious leaders. It additionally tells 28 tales about artwork, neighborhood and spirituality on the Osun Osogbo Sacred Grove, and the impact of local weather change on the web site and consists of three audio interviews, together with one with common artist Jimoh Buraimoh about Susanne Wenger.
Nigeria’s minister of knowledge and tradition, Lai Mohammed, expressed his delight and gratitude that the Grove has been introduced on-line.
“I stated through the go to to the Grove in 2019 that it was necessary to refocus nationwide and world consideration on this world heritage web site, and I’m glad we achieved our goal, as may be attested to by this undertaking digitising the shrine and its environment. I want to most sincerely commend all of the companions for this monumental work,” Lai Mohammed stated.
The undertaking additionally permits guests to observe 27 video interviews and see aerial views and 3D views of the location whereas annotated 3D excursions of the Busanyin and Iya Moopo shrines showcase the legacy of artwork and spirituality on the sacred grove.
“We’re grateful that via partnerships we at the moment are capable of protect one of the vital recognised, culturally wealthy Yoruba heritage websites, recognized for lively conventional worship and up to date artwork actions,” stated Likelihood Coughenour, program supervisor and digital archaeologist, Google Arts & Tradition.
“The Yoruba community is likely one of the largest in Nigeria and the Osun Osogbo Sacred Grove is actually a singular and particular place that embodies the essence of the Yoruba tradition and heritage,” stated Olufemi A. Akinsanya, Chair, Save Our Artwork! Save Our Heritage! Marketing campaign.
Robin Campbell, a member of the Adunni Olorisha Belief/ Adunni Osun Basis, shared that over $300,000 has been raised and spent in restoring and preserving the location over the previous 15 years. The funds have been raised for people and organisations.
“It’ll require roughly ₦10–15 million ($14,300–21,500) each year to maintain this historic web site working optimally,” Campbell stated.
The preservation of this historic web site is anticipated to extend tourism, present an avenue for the youthful era to find out about historical past, and supply jobs for artisans and tour guides.