Afrigather Annie Omalley’s brand-new album, all of the issues that skare me, blends parts of pop, drum and bass, and hyper-pop right into a sound she calls “mood tantrum pop.”
Omalley wrote each observe on the album. As artistic director she managed each side of branding, visuals, and advertising and marketing. Collaborating with seven producers, one mixing engineer, and three mastering engineers, all of the issues that skare me displays her ardour and authenticity.
“I’m the author, the singer, the artistic director, the PR company, and the advertising and marketing company,” says Annie. “I need folks to understand how a lot I actually love and shield my artwork. I put my total life and being into my tasks and albums. That’s why folks will resonate with it. It’s not manufactured or simply an album I’m making as a result of it’s cool to do. I consider the world wants and hasn’t had it earlier than.”
Two years within the making, all of the issues that skare me delves into matters listeners establish with: the thought of monsters underneath our beds or lurking within the closet – issues we keep away from dealing with head on. Nonetheless, the fact of the monsters is they’re wounded and remoted parts of our innermost selves.
Made up of 14 tracks, the album begins with the title observe, opening on dreamy, swirling tones that roll right into a catchy, pulsating rhythm topped by Omalley’s evocative vocals.
Highlights embody “2gether 4ever,” a creamy, buoyant tune with dazzling colours and glossy, radiant vocal harmonies. A private favourite due to its darker hues and Omalley’s velvety, nuanced vocals that tackle whispery textures at occasions, “celebrations & obsessive ideas” vibrates with dynamic vibrancy and gleaming layers of sound.
“highway raje” begins off slowly on rising surfaces after which ramps as much as a pushing melody stuffed with effervescent power. Whereas the texture and movement of “klose the door” conjures up sensations of lusciously swaying motions as Omalley’s voice delivers scrumptious, sweeping timbres.
One other gem, “ao627lk710,” that includes Louis Knight thrums with tight, fluctuating hues. The softer harmonic glow of “sobure” permits Omalley to showcase the silkier vary of her voice. Touring on an EDM-like rhythm, “luckie” presents a blinding melody drenched in edgy buzzing layers.
Without delay pleasant and wondrously wrought, on all of the issues that skare me, Annie Omalley affords a group of luxurious, lush pop songs.
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